interview

TSURURADIO Presents… Our Super Desserts Interview with Accompanying Mixtape: ‘Cause Forever Is A Noble Commitment To Any Cause!!!

May 17, 2010
By

Photography by Jodi Miller

It was a beautiful Wednesday evening in mid-April when I, sun slowly but surely settling in for the night off to the west somewhere, found myself lost in my old black beat-em-up pick-em-up 1980 Toyota Pick-Up in the “neck of woods” that I should know by the back of my hand.  I’m over-confidence’s bitch tonight, I thought as the clock on my phone was getting uncomfortably close to 8pm, the time I was fucking supposed to be there! I thought right now as I think back to then. It was time to be honest. I was going to be late.

I called Justin. The chronically punctual me forced a grin on his face while waiting for Justin to answer.

“Hey man,” I said as nonchalantly as I could muster, “This is Aaron, yeah, I can’t find the college!?” More specifically to you, reader, Capital University, where the band works, goes to school, and/or practices depending on who you talk to.

Lightly & patiently Justin gave me directions, which I then messed up again, but eventually got sorted out and way too much time later, I was standing on the back of my truck in the parking lot looking to be seen & found. Finally, I officially met Justin, my main contact to the Super Desserts.

Even though I was a little late, I was the first one there. Well, except Justin. I was thankful. One, I really didn’t want to be the douchey guy who runs a self-important blog who shows up late to an interview he requested, that’s like… a double-douche. Two, it gave me a chance to cool back off, relax, and get my head “back in the game”. It’s a rare-rare day that I have the time, means, or opportunity, not to mention the inclination, to do an interview. I had planned this one perfectly, my ride schedule, my work schedule, everthing. So, having a few minutes to get my head in check was a good thing.

To my delight, we both wore plaid short sleeve shirts and rather non-descript pants (me, grey jeans, him brown cords). In social circles, this would be a “good sign” of some commonality and I felt even more at ease. If he had shown up shirtless, only in leather pants and vest, and me in my cut-off jean shorts & slim fitting t-shirt, who KNOWS what kind of conversation would be had! Surely, the Super Desserts would be merely a tangent and the whole point of the interview would have been lost! Or worse… Vice versey. Fortuntely, my leather pants were at the cleaners, and I don’t think Justin even owns leather pants, so without a fashion wall to metaphorically climb over, Justin & I were free to get to know each other.

We chatted while we waited and little by little the band showed up. Well, most the band… Well, most of the band on some days, maybe not on all days, possibly not today, maybe. You see, it’s unknown actually how many members are in the band. This much I do know, Ianna brought cake & cookies.

After the resident banjo & sitar player, Tyler, and Justin finished “laying down some tracks” on the new album while I had hung outside with the balance of the group as various people from various other bands and/or orchestral-type groups – what were the folks “in band” back in highschool actually “in”? — passed in and out of the building, it was finally time to eat desserts while, appropriately enough, talk about & to the Super Desserts.

What follows is real, though edited down a bit (transcribing 30+ minutes of conversating equals many many pages of text), or at the very least my interpretation of reality, from the recordings of that night, which is & was real to me. As real as any memory with audio recordings can be. What is real? For all I know, you are not real, so who are you to judge what is real to me when you, yourself, are suspect!

But regardless, let’s push play and see what transpired on April 14th, somewhere around 9:30 or so PM when I sat in a chair faced by a horseshoe of talented musicians, namely, from left to right, Tyler Evans (banjo/sitar), Frances Litterski (vocals/bells/piano), Emily Ng (viola), Ianna Shively (vocals/shaker), Matt Ogborn (viola), and of course Justin Riley (vocals/tambourine) and asked them a bunch of interviewy type questions as…

TSURURADIO Presents… An Interview With The Super Desserts With Accompanying Mixtape!!!

*god, I hate my voice on the recorder*

Me: Hello and thank you for sitting down with me!  Let’s get right to it, eh?  What got you guys into music and how did you ultimately start Super Desserts?
*inaudible, followed by laughter as everyone tries to figure out the guava cake*
Matt: It’s so sticky.
Justin: We don’t have a fork or anything
Tyler: You can keep asking questions, we are just going to keep ignoring you.
Me: That’s totally fine
Ianna: First of all, who wants cake and I’ll pass it along while we answer the questions.
Tyler: You answered a question, you get a slice of cake
Ianna: Nobody wants cake?
Me (maybe): Every answer should be answered with a mouthful of cake.
Tyler (Mouthful of cake): “Well, now that you asked…”
*a bunch of jibber-jabbering*
Ianna: If you don’t like it, you don’t have to eat it.
Justin (seeing this could turn into a 30 minute conversation about cake took the reigns): Before we even played together, I had a bunch of conceptual ideas about what I wanted the band to be like. But um, it was basically there were going to be a lot of members, half the members were going to be girls, and there wasn’t going to be a drummer, there wasn’t going to be a bass player, it was weird concept stuff like that… and me & Bob, Bob & I, we got together about starting this pop band.
He had a couple different ideas & our ideas kinda got merged into Super Desserts. So it was the two of us, then we contacted Eve who isn’t here yet, Bob isn’t here yet, and next was… we were looking for a sitar player
Me to Tyler: You play sitar?
Tyler: *nods*
Me (smoothly & as creepily as possible): Niiiiice.
Justin: Sitar was next…
*more dessert talk*

Me: So why Super Desserts, why the name?
Justin: Another of the original concepts would that it would be part band / part art do it yourself,.
Matt: I thought you were going to say part party monster
Tyler: That’s a pretty good album title, “Part Band Part Party Monster”.
*laughs*
Me: Super Desserts Beach Party

*laughs*
Justin: So, we were going to make handmake really original CD packaging.  We had a couple ideas already for that as well and uh, we were going to make our own t-shirts, make this & make that, and Bob’s girlfriend at the time was an art student at CCAD and had just put on her first project which was called “Bring On The Supper Desserts” and it was based around jello.
Me: AHA! What was the art, the jello art? Could you eat it?
Justin: Jello sculpture… There was a lot of stuff about how terrible it is, made of hoofs & bones
Matt: She was a vegetarian.
Justin: So it was a cross between this 60′s ideal dessert, like this futuristic dessert of the 60′s and murder. So like horse bones..
Matt: ..suspended in these beautiful jello desserts were grisly bones & stuff.
Me: And from that you became this nice “twee” collective? How awesome-o!
Tyler: Gloom & doom is secretly our thing.
Fances: Obviously her weapon of choice was knives… Sometimes it cuts cakes, sometimes it cuts hooves.
Me: To cut up the horse hooves? Grinds ‘em up.

Me: Uh… let’s see… See. I’m horrible with genre’s. What is twee? Why twee? I call you “twog”.
Justin: Oh… *laughter* okay?
Me: Micro acoustic prog, yeah.
Justin: Micro acoustic prog… *ponders* alright. Twee originally was later 80s, early 90s, connected with C86?
Matt: Yeah… super sugary.
Tyler: Like K Records.
Matt: Cutesy.
Justin: BUT, nowadays it’s more associated with the Juno soundtrack.
*laughter*
Me: Thoughts on Michael Cera and what he’s done to the movie industry?
Tyler: He needs to do a nude scene, that’s the only place left for him to go.
Me: Can he do anything beside “Michael Cera”?
Justin: Can Johnny Depp do anything besides the exact same movie over and over again?
Me: Well I think in Alice in Wonderland he played, uh, Frodo Baggins, didn’t he? He was doing a nice Frodo. They could’ve saved some money though and just got Frodo.. What’s his real name? Ethan something?
Justin: Elijah Wood.
*laughter*

Me: Okay… Influences??
Justin: Michael Cera… the Juno soundtrack….

Actually, jazz standards? One of my favourites for the past few years has been Cliff Edwards who went by the stage name Ukulele Ike. He would play ukulele, actually, here’s how most people know him, he was the voice of Jimeny Cricket. So he sang, “When You Wish Upon A Star”, “Give A Little Whistle”… and his stuff is just incredible, these old, vaudeville tunes he’s playing ukulele with these woodwind instruments in the background and really amazing string arrangements in the background. And so, ukulele, banjo, bass clarinet, that’s what we are!
Me: And sitar!

Me: So no drums, right? No bushel buckets???
Tyler: When we first started out, we’d bring a snare drum and invite audience members to play on the snare.
Justin: That was one of the concepts too!
Me: How’d that work out?
Tyler: It was a disaster…. A lot of bad rhythm.

Me: So who’s the writer?
Justin: We have seven writers.
Me: How does that work out?
Tyler: It works really well, actually, there’s always momentum. A lot of bands, whoever writes the songs, will write a bunch of songs and will work on those songs for a year and turn that into a record, but here there’s always new material coming in.
Justin: We’re constantly recording because of that, oh, one of the other original concepts of the band was… record songs and release them as fast as possible. Just keep churning out songs.
Me: Two albums a year?
Justin: The goal, actually, was three albums a year! Which we might actually be able to do this year? We released one in January, Banjo Forever, and then this knew one we have like 2 or 3 parts left to record.
Me: And then maybe a Christmas album?
Justin: This one will be early June. And we already have a list of songs that need to be recorded.

Me: That’s great! I love your songs, what I love was that you had these sweet little songs going on and when, of course, you listen to the lyrics, there was a little bit of sadness, like “I Only Love You Because You Can Play Guitar”.

Me: It’s like a Tootsie Pop. All sweet on the outside, but you got that nasty little shit burger on the inside. Yeah… so, you know, why you gotta mess with our heads like that?
Justin: Well, I don’t think you heard the album before Banjo Forever, that one was called Barefoot In The Disenchanted Forest and it was all about, there were a lot of themes in that album about having these big goals & sweet naïve dreams, and then there’s kinda a bitter reality.
Tyler: It was pretty emo.
*laughter*
Matt: Nothing beats upbeat music with depressing lyrics.
Me: Ever listen to Noah & the Whale?
Justin: I… don’t like them.
*awkward moment as I try to back pedal around that and move on*

Me: I love, one of my favourite songs, that I really fell in love with when I saw you at Junctionview, is “Ibiza”. Just the porch-style rhythm, the frantic banjo, how’d that one come about?
Justin: That’s a song Eve wrote and she had recorded a demo using keyboard, drum machine stuff, and it was about a boyfriend she had that lived in Chicago, the whole long-distance thing.
Me:  Those (long-distance relationships) are awesome.
Tyler: That’s one that started off with a house beat and kind of a dance song.

Me: I saw the video you guys put up on it on Last.fm/youtube. You had the stop-motion technique with the little kids bike and I’m a bit of a cyclist so it really appealled to me… though, you didn’t put the helmet on until the end. You were promoting to kids to not wear a helmet?!

Justin: That’s why we featured the helmet!
Tyler: I was riding and came to my senses!
Justin: You missed the whole point!
Tyler: No no.. this is wrong.
Matt: It was my daughter’s bike & helmet. The seat kept going up.
Justin: The model on the bike on the side is “Electric Stardom”.
Me: Niiiice.
Justin: Which would make a good album title.
*laughter*

Me: I love the song, “Banjo Forever”.
Justin: You’re an Eve fan!
Me: I’m an Eve fan…. Can you tell me a little about that song? It’s almost ethereal.
Justin: Is that the one about a bunny? She had a earlier version with garage band stuff on it, but then we tried a lot of different arrangements & versions… we pay a lot of attention to arrangements.
*a bunch of discussion, can’t make out much*
Justin: At first it was trying to recreate that ah-ah-ah-ooh-ooh-ah-ah. That weird string part she had from garage band, but that got thrown out, and then there was the Velvet Underground arrangement, but that didn’t work.
Me: You should have an alternate b-side, “The Velvet Underground Mix”.
Justin: That’s the first album!
Me: Where, I, where, I haven’t even seen it online? Where is this album?
Tyler: He won’t let anyone here it. I want to re-release it, I think it’s fun but Justin doesn’t want to have anything to do with it.
Justin: So Banjo Forever is actually the 3rd album. The first one is the electric one called Bring On The Super Desserts.
Matt: Still no drummer, but more of a rock band.
Justin: So then on the 2nd album, Barefoot In The Disenchanted Forest, what people think is our first album, is the album to have our new sound.
Me: This will be great, when you guys are like 20 years from now, they’ll be trying to find copies of the first two.
Justin: Yeah, exactly! And there’s this homemade packaging, a 20 page 7 x 7 booklet, and we did all the artwork ourselves.
Me: You should sell at Wholly Craft, they have a couple records that have that homemade thing.
Justin: *laughs* we did! We sold them at Wholly Craft! And we played there tons and tons of times!

Me: Okay, okay, when is the 18 minute “twog” masterpiece, twee-prog masterpiece, coming based on an obscure Grimm Brothers fairy tale???
Tyler: Justin has this weird notion that no piece of music should be longer than 3 minutes!
Me: HAVE YOU HEARD OF THE BAND YES?? You can just put, like, 8 songs together and make it one song?
Justin: We considered it.
Tyler: The Midwest suite.
Me: Could be like a “whole relationship”.
Justin: We considered it but that was one of the original concepts, just keep it short and sweet.
Ianna: And we like to play 50 songs each show.
Tyler: We got 25 songs in our set list, it’s a good.. 15 minutes.

Me: So what’s next for you guys, some touring? What’s the plan? Where you going? Canada?
Justin: We went on a tour after Banjo Forever was released, we did Bloomington & Cincinnati, and we did Chicago & Madison. And we’re definitely going back to Bloomington & Cincinnati again. We just played Athens, OH & we’ll definitely go back this summer.
Me: What about things like SXSW?
Justin: Umm… We talked about it, but I don’t know
Tyler: It’s such a huge band, it’s kind of a logistical disaster to try to go outside of Columbus.
Justin: I do think if we decide to do it next year, we can take 2 vehicles down and not really book a place because we are completely acoustic. We can play in an alleyway and sell more CDs than people in an actual bar!
Me: We should start our own festival! Mid By Midwest!
Justin: Bob’s tried it.
*Here I kind of jabber on about festivals and mumble about loving Canada… pretty silly, let’s skip that and move on…*

Me: So, as a band this size, how do you handle all the drugs, the in-fighting, and the love triangles?
*laughter*
Ianna: We do them all!
Tyler: We handle in-fighting & love triangles with drugs!
Justin: And we hand drugs & in-fighting with love triangles!

Me: That’s the key to these kind of bands… So, outside of the Super Desserts, what do you guys do?
Justin: We are all in other bands.
Me: What’s the world domination plans??
Justin: Don’t dominate the world.
*laughter*
Tyler: We make art for ourselves maaaan….
Justin: Just keep recording music!
Tyler: Our goal is to break-up and have someone really get into our music 30 years down the road
Justin: Seriously, that’s it.
Ianna: And do a reunion show!
Justin: We dream about breaking-up!
*laughter*

FIN

Well thanks guys!  It was a such a treat (no pun intended, well maybe) to meet & talk with you! And to our dear readers, you need to follow some of this delicious linkage and get yourself more acquainted with this wonderfully delightful band:

MyspaceBandcampTwitterFacebook |  BUYALSO!  I just got word that their new album, “Twee As Folk”, will have a CD Release show on Friday, June 4th at 7pm at Wholly Craft!

Want to know what you get at a Super Desserts show? Here’s a couple videos from their recent performance over in Athens, OH to get yer taste buds all wet & shit!

Super Desserts play “Yr Heart” from Strummy on Vimeo.

Super Desserts play “Missy Madame” from Strummy on Vimeo.

Okay!  Now, as is tradition for TSURURADIO, a traditionally non-traditional site, so when we do traditions, you know they are special, we have built for you a mixtape inspired by the wonderful members of the Super Desserts!

Can I get a woot?

WOOOOOOOOOOOOOOOOT!

Nice.

Now, because their songs are pretty short and they are the reason for the season, they got two, the bookends, on this bad boy. In between lies some new, some old, some fun, some maybe slightly serious, but they were all built while thinking of Justin and the crew.  Before we push play, I just want to say to the Super Desserts, thank you again so much for your time and the opportunity to meet & hang out with you.  But now it’s time to get on with the music as…..

TSURURADIO Presents…
Cause Forever Is A Noble Commitment To Any Cause!

(full zip)

01 Super Desserts – Ibiza
02 Broken Social Scene – Art House Director (collectives 4 life!)
03 Delta Spirit – Golden State
04 Frog Eyes – Styled by Dr. Roberts (kind of a opposite-of-twee song)
05 Tunng – It Breaks
06 Lonely Drifter Karen – Show Your Colours
07 Flight of the Conchords – Leggy Blonde (feat. Rhys Darby) (thanks Emily)
08 Gogol Bordello – My Companjera
09 Avi buffalo – What’s In It For
10 Woods – Time Fading Lines
11 The National – Afraid of Everyone
12 Pulp – Common People (for Baby)
13 The Flaming Lips – Yoshimi Battles The Pink Robots Part 1
14 LCD Soundsystem – Drunk Girls
15 You Say Party! We Say Die! – Glory (RIP)
16 Crash Test Dummies – You Said You’d Meet Me (In California)
17 Secret Cities – Boyfriends
18 Woodpigeon – Empty-Hall-Sing-Along
19 Meursault – New Ruin
20 Super Desserts – Banjo Forever

That’s it! Hope you enjoyed! Before we leave, got a little video of “Give Your Mom ACall” from the upcoming Super Desserts album “Twee As Folk”!  Hope to see you on Friday, June 4th at 7pm at Wholly Craft for the CD release show!!!

Give Your Mom A Call by Super Desserts from Strummy on Vimeo.

Cheers,
Tsuru

PS.  This post was huge, eh? If there are any typos, quotes to the wrong person, or bad links… I apologize in advance & I hope you just go with it and enjoy!  Cheers!

Introducing Folk Legend JOHN CRAIGIE!! Montana Tale + Exclusive Interview!!

May 14, 2010
By

So a few weeks ago, I caught word that John Craigie was coming to my town to play! I was stoked, you see, because John Craigie is AMAZING live, and I’ve been wanting to see him again ever since our paths randomly crossed one fateful night at Burning Man back in 2008.

There I was, wandering around the desert with a few buddies, when we stumbled into…

The Lost Penguin Cafe!

…which happened to be a pretty chill little cafe on the Esplanade.

We sat down, and started listening to John Craigie, who turned out to be one of the most entertaining performers I’ve seen. The unique about the show was his captivating and memorable storytelling, both in-song and as pre/post-song banter. According to his Wikipedia page, his music and performance style has been compared to Greg Brown, Bob Dylan, Dan Bern, and Mitch Hedberg. The Mitch Hedberg part is true, too, because he quips little things that are downright LOL-inducing.

I guess sometime after I first saw him, I signed up for his mailing list, and hot diggity damn, when I got back to a computer…  he had friended me on Facebook! He and his team are super-amazing at e-mailing ONLY when he’s playing in Colorado, so I’m informed and invited, but never bugged by e-mails of shows that are far away.

I was touched by his music and his stories, so I jumped when I got the chance to see him recently. Sure enough, I was rewarded with some great folk, and more great storytelling. He even featured a song about Chuck Norris, in which audience participation is key!

After the show, I approached him and told him I’d seen him at B-Man back in 2008. I also told him I wanted to buy a CD, and that I wanted to feature him here on TSURURADIO.  John was then kind enough to hand me a second CD for free! Woohoo!! (Take note, Ari, and be sure to use your powers for good…)

Anyway, I’d better link up his new album “Montana Tale” for you, and get to our interview. Montana Tale is completely road-addicted, and reminds me of my days of being a rambling vagabond. It sounds big, rugged, beautiful, and at times a bit lonely…   just like the West itself. (Incidentally, if anyone knows anything about the artist that did the album cover, John Craigie is looking for info.) Enjoy some Americana at its finest!

Montana Tale

1. Gone
2. As Tragic
3. Labor Day
4. Will Not Fight
5. Mama Nashville
6. 28
7. Easter Sunday
8. Resurrection Bay
9. Anna Rose (Part IV)
10. All Through Montana
11. Map of Dallas

Some John Craigie love: Official | Myspace | Download

Now I’ll be the first to admit that I’m much more likely to listen to the new Avi Buffalo than good old Bob Dylan. But I really dig this! And the music is nowhere close to as engaging as it is live, where the essence and power of folk is truly found. After you buy the album, SEE CRAIGIE LIVE!! You’ll love him and his stories, and he’s constantly touring!

Now, onto the interview, where Neil asks some seriously intriguing questions, and then proceeds to ask some gratuitous, ridiculous questions for everyone’s a/be-musement. Keep in mind that this was done over the phone, with me furiously typing while talking, so at some points I paraphrase.

10 Questions for John Craigie:

1. What is your Name? What is your Quest? What is your Favorite color? (my second Tsuru throwback to Monty’s Holy Grail!)

JC: My full name is John Craigie the 3rd. My quest? To bring folk music back, not that it went anywhere, one person and one song at a time. My favorite color is a shade green that’s on my guitar…

2. How long have you been playing folk?

JC: I started playing guitar in 1996. In 1998 it was my senior year of high school, and my teacher gave a copy of The Freewheelin’ Bob Dylan, which inspired me to write the song “Nalgene Bottle”. This was one of my first big hits and the beginning of my journey into folk.

3. How healthy is folk? Alive like rock, or dying like ska?

JC: I think folk is somewhat immortal…   it’s not just about the music, it’s about the words, the meaning, and the history. One of the things I like about folk is that it is hard to market, hard to commidify, and so it has to live in people, not things. There are some offshoots, like Jack Johnson, that borrow heavily from folk. I’m not sure it’s doing as well as rock, but folk will never die.

4. What artist(s) have you been listening to most recently? Why?

JC: Greg Brown, Todd Snider, and Dan Burn = modern folk. I also like Fleet Foxes, M. Ward, etc. and listen to them for enjoyment…  and to keep a pulse on  what people are interested in. I try to study and live by the greats like Arlo Gutherie, Bob Dylan, etc. I make sure my guitar absorbs a lot.

5. I often hear that musicians get screwed when it comes to getting paid for their work. Do you feel that musicians get screwed? If so, who’s more to blame – fans who download, or record companies who set prices and deals?

JC: Part of being an artist is really checking what you’re in it for, why you’re doing it. When you make art, you don’t own it. The muse–this essence that all artists can pull from–it’s a pool. I feel that as an artist, the days of Madonnas and U2s are winding down. I think the internet will level the playing field enough that music will become a good, working-class job, like it used to be. Sometimes I feel that venues will cheat you a little bit, because they can. There’s no shortage of musicians to play there, so they have more power.

But I’ve never been negative about it. I knew about everything at the outset.

In the 60s, when a new Beattles record came out, you could only hear it on radio or if you bought it. That’s just not the case anymore. As a musician, you have to accept it. Really what you have to do then is focus on your music, and make sure it’s good enough that people WANT to keep you alive. You can put some blame on the record companies, because they aren’t handling the changes very well, and I think they are on their way out, too.

6. If I were a performing artist, I could imagine writing something really personal, and being so overcome by emotion that I couldn’t perform it live. Do you ever experience anything like that?

JC: That has happened…   when you get on stage, you have to get into your meditation state. But really, songs…   keep you from breaking down! They are healing. When I’ve played something live, it healed me. The songs are therapy. (editor’s note: so true! That’s exactly how it felt to churn out Bring Out Your Dead! (heart) Compilation…)

7. How has your style progressed since you started playing? What life experiences have influenced you?

JC: The main thing is the traveling. My first few albums were done from a person, in one place. But now, the more I travel, the more that affects the songs. The ideal folk song is the song that can bring the world together…   think “we shall overcome” and “amazing grace”…  those are definitive.

…and now for some joking / light-hearted questions…

8. Which is hotter: naked girls on bikes, or girls in bikinis on skis?

JC: I think naked girls on bikes, yeah, I like that. (editor’s note: please cast YOUR vote in the comments below!)

9. HEY WANNA RIDE BIKES!?

JC: Haha. Yeah! I don’t actually own a bike, but there’s one that I borrow every year for Burning Man, so if you’re going to be there this year I’ll definitely ride some bikes.

10. Marijuana is NOT a drug. Now cocaine, there’s an addiction. You ever suck some dick for marijuana?!???  (a shameful but hilarious Half Baked throwback)

JC: Hahahahaha…   *laughing*. That’s never come up.

11. Zooey Marries Ben Gibbard – way lucky and smart and cute, or “she could do better”?

JC: Yeah, she could’ve been with me!

I think two musicians in a relationship can be kinda weird. Relationships are kind of puzzles pieces…    it’s nice to have each person fill in the others’ gaps. With two musicians, it can be like, “I wrote this” “Oh yeah? Well I wrote THIS.”…    If I’m interested in a girl, and she plays guitar, then it’s less mysterious for her than it would be if I were to date a girl who didn’t know guitar…

But, they’re both celebritites, which is good. Zooey could ALWAYS do better, she could have anyone she wants.

Anyway, that’s the end of the interview, and of this post! Thanks for stickin’ around, kiddos, hope you enjoyed!

THE END

TSURURADIO Presents… An Interview with Veronica Charnley of Flotilla with Accompanying Mixtape!!!

November 13, 2009
By

NOTE: Settle in my friends….. We got a doozy for you today!

Photography by Butch Gerald

Happy Friday my friends! Friday the 13th to boot — Ooooo!

We are very, very excited and lucky to have a very special presentation for you today, something of a rare bird ’round here on TSURURADIO! That’s right, if you read the header, today we are very proud to present our interview with the amazing & talented Veronica Charnley of Flotilla with accompanying mixtape!!!

HOORAY!!!

But…. before we get started, a quick word about a little something something going on this weekend for all you folks here & about Columbus. I don’t think Veronica will mind as she’s a creative and we are all about celebrating and promoting that. So, with that in mind, tomorrow and Sunday is annual Tiny Canary Indie Design Market!



The unimmitatable TsuruBride was supposed to be there, but as you know, she’s out in China & India working, but she will be represented by the wonderful Open Door Art Studio, but beyond that, so many incredibly talented local designers, artists, and craftisans will be selling their wares. So, if you are within a good 50 to 75 miles from Junctionview, make sure you stop on by!

Okay! Now….. On to our presentation!



Thank you, thank you…… So, last week, as you may recall, we featured a wonderful album One Hundred Words For Water by Montreal’s indie-prog wonders Flotilla that I found in my inbox that featured three of my favourite words in music: Montreal (i.e. Canadian), pop, and of course, prog.



It’s a fantastic album and certainly worth all your sweet tender love and attention (and moneys). If you haven’t checked that post out, I recommend you do it now so you are all caught up. Go on, we’ll wait.

Seriously, we’re in no hurry…

All done? Good. Now, who is the lovely singer-songwriting-songstress leading this talented Quebecois progonian band of musical adventurist? Why, it’s none other than the amazing Veronica Charnley…



After the write-up, I had the fortune becoming electronic pen pals with Veronica, sensing I was in the presence of greatness, I felt it my duty to commit some metaphorical pen to paper and interview Ms. Charnley before she became the next Arcade Fire and I sat here, still on my bicycle, attacking hill after hill as some kinda masochistic — or is it sadist? always get my S&M’s confused, but not my M-n-M’s! Mmmm… — “woulda-coulda-shoulda” punishment.

Some polite asking and ultimately, a bunch of questions later, we got ourselves a genuine fortified homogenized interview! WOOT! So, without further adieu (as the French Canadians say), let’s get it on as…

TSURURADIO Presents…
An Interview with Veronica Charnley of Flotilla!!!

Tsuru — First off, Veronica, thank you so much for letting us interview you today! Let’s get right to it, eh? For as long as I can remember, I’ve just been one big ass music geek! From soaking up music mags as a kid, collecting records, to trying to learn to play every instrument I thought to get my hands on (and consequently fail at it), to constantly making mixtapes for all my friends, to ridiculously long conversations/arguments/debates over every move a loved band made, to now, running yet-another-music-blog…. Sad, eh? What got you into music and how did you ultimately find yourself in Flotilla?

Veronica — To be honest, I was kind of a shy kid/teenager, and oddly enough, I felt like singing was a way for me to set straight who I was to others. It was a way for me to be myself and shed the awkwardness. I also remember my mother singing French folk songs to me as an infant. The sad ones were my favourite. There’s this song she sang about a man whose cottage gets blown down and he’s just devastated amongst the rubble. It would make me cry and then I’d ask my mother to sing it again and again. Maybe that’s when my obsession with music started!

T — Imagining a young Veronica crying… Breaks your heart a little. My wife and I are both fans of folk tales, obviously the biggest being The Crane Wife, where we got our “Tsuru” monikers from, and where she gets many of her purse design ideas, any folk-tale concept albums in the future for Flotilla, because, honestly, that would be heaven on a stick right there… Given your band’s name, maybe a sea tale of sadness, heartbreak, and a giant octopuss?

V — I’ll have to consider that, it could be an interesting project, although I have to say, I’m more drawn to realism or hyper-realism. Even as a child I never connected to folk tales or fantasy. I was always like, a talking bear, what the hell’s that?

T — Can’t think of anything more hyper-real than a giant octopus on the side your ship!

=o

Speaking of realism… outside of my day job, cycling, and music bloggy-blogging, I’m a photographer and as a kid, I used to hide out in bookstores and look through the photography books, taking in every little bit I could with the compositions. Helmet Newton and his ability combine fashion & nudity and his perfect eye and master of natural lighting was my hero. What are some of your influences and heros?

V — Jocelyne Fleury, my voice teacher for a few years has been a huge influence. She’s a wonderful mezzo soprano who sings Wagner and I’ve been practicing her vocal warm-up exercises for years. Julia Cameron’s book The Artist’s Way has helped me throughout the years to commit to my work and to keep plugging away at it.

T — Corny cheesy interview question time…. What inspires you?

V — The hardest part of songwriting for me is coming up with an idea or an image that interests me enough to carry the song through. So I don’t just draw from my own life, which isn’t always so interesting. I draw my inspiration often from literature, painting, photography, ear training exercises, and poetry exercises. Hanif Kureishi’s Buddha of Suburbia has inspired me for its honesty, philosophy and raunchiness. Gregory Crewdson’s staged photographs have inspired me with their hyper-realism and their implied narratives. I’m a nerd, so sometimes I use ear training exercises as a way to generate song ideas. For example, I have this book of rhythm exercises that I’ll clap through, and when a rhythm excites me, I’ll try using it on the guitar or piano and then build the song from there. These are just a few examples of what inspires me, I could go on!

T — Nice! And now, super nerdy time….. Like I admitted in my blog post on your amazing album, I was drawn to you by seeing, not just the words “Montreal” and “pop”, but maybe more importantly, “prog”. Do you consider Flotilla to be a prog band? And if so, why “prog”? Do you just want music critics to automatically not like you or do you just not care about indie cred??? lol ;)

V — A Montreal journalist labeled us indie prog pop – it wasn’t me! I agree with it though because our songs follow unconventional forms, time signature shifts and melodies. Our songs often morph into sections that are pretty different from one another, but to my mind still fit and flow together. I wouldn’t say we’re prog ROCK, because rock to me stems from blues and our music isn’t bluesy. It’s more influenced by folk and jazz. I’m not particularly attached to having indie cred, I just make music that excites me! It’s pretty selfish really!

T — That’s the best reason to make music! But some good write-ups and reviews certainly help make it financially easier, eh? Unfortunately, Prog gives one neither mainstream success nor indie cred (well, unless you disguise it under a cool name like “math rock” or something), but it can give one a visciously loyal & nerdy cult following! But I think as long as you retain your artistic integrity, performing what you love, staying true to your vision, you are already a success.

One of my favourite songs off the album is “Clouds”, to me it’s a great example of Flotilla, starting off almost like a music box, before picking up it’s pace, then dropping back, and before you know it, we are in some dream state, up in those clouds, suddenly dropping into this wicked & dirty bass line…. Oh man. Listening again now, just gorgeous. Can you give a little background and insight into this song?

V — This song took a while to write and it went through many versions before the one you hear on the album. I wrote the first part on guitar, and I loved this image of floating through the sky with my lover and escaping the city and everything. Geof and Ben, our drummer, then came up with the middle section without me, and we put it together in rehearsal. I wrote a few choruses before I decided on the one you hear on the album.

T — Brilliant! Okay, “Yay Canada” time….. In my humblest of humble opines, Canada has pretty much dominated the independent music scene for a good number of years now. What is it about Canada that makes it musically so damn amazing?

V — I guess I can only speak for Montreal – it’s a cheap place to live and there are grants available to artists. Universal health care also helps. The long winters encourage artists to stay in and hone their craft. I often joke that I wouldn’t be a songwriter if it weren’t for the winters!

T — HA! I knew it! Isolation creates geniuses and insane people! Canadians are a bit too nice to become axe-wielding serial murders, so we get tons of great music instead! HOORAY! Love Montreal, love their pro-cycling-city plan, Ms. TsuruBride and I made our way along bike lanes to the path that allowed us to trek our way up Mt. Royal on some rented hybrids, what a lovely day…..

*happy sigh*

To the unfamiliars, what are your recommended “must dos” in Montreal?

V — Montreal’s a great city for walking. I never get tired of walking down St-Laurent Blvd. It goes through so many phases, from hoochy dance clubs, to all the great indie music clubs like Barfly, Casa del Popolo, Sala Rossa and Divan Orange, to great restaurants and cafes… It’s a place where lots of cultures mix, like English, French, Portuguese, Jewish, etc. I just feel kind of excited every time I walk down that Blvd.

T — Speaking of geography… what are you favourite record shops?

V — I don’t go to record shops, I order music online.

T — *single tear rolls down my cheek*

Well, it’s understandable being on the road and what not, but the next time you are headin’ home for Canada Day, I gotta recommend Aux 33 Tours and Maison Du Disque, even if it just for meandering, loitering, and a bit of gentle perusing. Picked up a sweet copy of the Hounds Of Love LP by Kate Bush, among many other albums! Cleaned me out of more than one loonie!

Back to Flotilla… What are you guys up to right now? Touring? More recording?

V — I just moved to New York to be with Geof, who plays keyboards and bass in Flotilla, and he’s also my husband! I’m writing a lot and preparing for some gigs coming up in New York and Montreal. CBC just recorded a concert Flotilla did with a trio of flute, clarinet and percussion, and that should air sometime soon (I have yet to hear it!)

T — Wow! Sounds amazing! We’ll definitely be keeping an eye out for that! When you aren’t working on Flotilla, what are you most likely found to be doing?

V — Cooking (I love making tacos and tofu banana cream pie!), watching movies, going for walks, reading and writing poetry.

T — I’m the cook in our family too, back in the day, I was even a genuine budding chef and everything! Nowadays though, I’m pretty content to make fun, fresh, & deliciously nutritiously foods for us, like homemade pizzas on pita bread. A recent concoction…. Turkey meatloaf & sweet potatoe “meringue (not really)” pie! Sweet & hardy & scrrrrrrrrrrrrrrrrrrrrrrrrumptious!

Now, I love me some tacos! What are your favourite shell fillers??

V — You can’t go wrong with these fillers: black beans with cumin, red onlon, tomato, avocado, jalapeno, cilantro, lots of lime juice, and mango! Pizza on pita bread works really well – have you tried it with homemade pesto and portabello mushrooms?

T — That sounds amazing! No, I haven’t tried a pesto, but I’m thinking I’ll have to pick up some pine nuts this weekend….. Okay, damn, getting hungry, back to music….. What are some “Essential Veronica Charnley Albums”, some required listenings for our readers to get to know you?

V — Just Another Diamond Day by Vashti Bunyan, Yellow House by Grizzly Bear, African Rhythms with music by Gyorgy Ligeti, Steve Reich, and traditional African music, Vespertine by Bjork, Blue by Joni Mitchell, & Television by Television

T — Damn, bringin’ the eclectic heat! WOOT! You really are a music nerd! Ever get into Nina Simone? Sounds like she’d be right up your alley! Any new music you’ve been stuck on or super excited to get your hands on?

V — I do like Nina Simone, and honestly, I’m not listening to new stuff much these days. I like listening to world music and the rest of the time I’m working on my own music. But maybe this is just a phase I’m going through.

T — Well, with the influx of new music these days, it’s understandable to put all of that on hold and focus on the roots.

Veronica, Thank you so much for taking the time to let us harass you with our questions! Hope to see you guys real soon in Columbus!

V — Thank you, this was fun! And I’d love to make it to Columbus sometime. Maybe we can cook something together!

T — We can have a pizza party!!! I love pizza parties…..

WOOT!

Thank you again Veronica. It was a pleasure…

Now, we aren’t done yet, because, what would a massive, possibly overwhelming TSURURADIO post be without a little music to get you through the weekend? A bad post, that’s what. And here at TSURURADIO, we stand for quality! haha!

But seriously, Flotilla inspired me to get my mixtape on, and man o’ man is this bad boy ON. We got the gamut! We got your current pop & rock gems I’ve been digging! We got your Montrealeans, Montrolians, Montrealians, well, we got some bands from Montreal on there bringin’ the heat! AND we even got ourselves a bit o’ the prog, and not just with Flotilla! Oh yeah, that’s right, uh huh, all mixed & wrapped up in a gapless 25 song, over one and a half hour long, near-epic mixtape!

Admit it…. you are just a little turned on right now, aren’t you. It’s okay, it’ll be our little secret, ya music-sicko. So, I’ll tell ya what, let’s do this thing! Let’s send out the week & start this weekend up in proper style! Enjoy and I hope to see you at Tiny Canary as…….


Photography by Me!

TSURURADIO Proudly Presents…
Even If We Yelled Outloud Our Voices Couldn’t Penetrate The Clouds Mixtape!!!
(Full Zip)

PLAY GAPLESS!!!

01 Loney, Dear – Intro – Untitled
02 Julian Casablancas – Out Of The Blue
03 Tutankamon – Have You Ever Been In Love
04 Field Music – Measure
05 Tegan And Sara – Paperback Head
06 Yeasayer – Ambling Alp
07 Alec Ounsworth – Modern Girl (With Scissors)
08 Laura Veirs – Sun Is King
09 Laura Barrett – Robot Ponies
10 Freelance Whales – We Could Be Friends
11 Tim Williams – I Hit Another Wall
12 Langhorne Slim – Cinderella
13 Espers – The Road Of Golden Dust
14 Sunset Rubdown – The Courtesan Has Sung
15 Kate Bush – This Woman’s Work
16 Land Of Talk – May You Never
17 Flotilla – Clouds
18 Grizzly Bear – Ready, Able
19 As Tall As Lions – You Can’t Take It With You
20 The Mary Onettes – Once I Was Pretty
21 Fionn Regan – Protection Racket
22 The Minor Leagues – Good Boys
23 Royal Bangs – Waking Up Weird
24 Islands – Pieces Of You
25 Slaraffenland – Stars And Smiles – Outro

Some Charnley & Co link love that you oughter be clickerin’!
Flotilla Myspace | Flotilla Facebook

Have a great weekend everyone! Remember, where ever you are… Go riding!

Cheers,
Tsuru
Tsuru And The Bride | Etsy | Society | Facebook | Twitter

TSURURADIO Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!!

March 5, 2009
By

All Photography by therealAaronDunn

*** Warning to our beloved readers… The following special presentation contains imagery and links that may not be suitable for youngins, our more “sensitive bears”, or people wasting time at work. If you are easily offended by nudity, two photographer music-freaks jibber-jabberin’, you are at work (tsk, tsk), or you are home-schooled 12 year old who never heard the word “nipple” before, you may want to come back a different time, day, or year. ***

I’m very excited about today’s very special TSURURADIO Presents…! So very excited in fact, I seem to be using the word “very” very much already and we are just one paragraph in! Verily! It’s a rare day that we do interviews as we tend to let the artists’ music & art speak for itself here, but I recently had the opportunity & distinct pleasure to interview one of my favourite contemporary fine art photographers, Aaron Dunn.

Now some of you may be wondering just who Aaron Dunn is, therealAARONDUNN, and well, if you JUST come here for the music and not the artsy stuff and don’t happened to peruse deviant art and are not a fan of A Flower A Day or Fleshbot (both NSFW), well then yeah, you might not be all that familiar the man, nay, the legend that is Aaron Dunn (accept NO imitations). Well, let’s give you a little background…

Aaron is a fine art photographer, painter, a fellow “Aaron”, and music-lover born in raised in Calgary, Alberta, Canada (lucky bastard) and, unlike my sorry ass, makes his living this way. He graduated the Alberta College of Art & Design in 2004 but was told that because he never pigeon-holed himself to one medium, one “look”, that he lacked focus. Fortunately for us, that “lack of focus” gave him the ability to use any medium that seemed medium-worthy, from drawing to painting to glass-blowing to textiles to, of course, photography! The ability to express one’s self in a wide array of formats and to express it in a way that is understandable & appreciated from the lowest of low-brows (yay, boobies!) to the tweediest of high-brows (I like the use of light under her left bosom) is a gift most of us will never have…



Great, now you got a little snapshot of the man, let’s get on with it. You are in luck, not only are you getting to peer into the mind of a photographer, but you’ll also get the opportunity to enjoy two special treats! One, a photographic “mixtape”, which, for the uninitiated, is simply a thoughtful and ordered collection of photographs… We’ll pepper this in throughout the interview for your convenience. And two, our special guest has compiled a mixtape of his own, a therealAARONDUNN essentials mixtape! And that’s pretty fucking sweet…

Okay, let’s go sit down by the fire, toss on another log, sip our cognacs, pretend we are talking while the theme music plays, until the cue that is, and let’s roll some tape! All metaphorically, of course, as…

TSURURADIO Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!!

*applause*

Tsuru (T): Thank you so much Aaron, for taking the time out to talk with me! Let’s get right to it, eh?

Aaron Dunn (AD): Was that “Eh” a subtle hint at my Canuck heritage Tsuru? *laughs* Thanks for putting this together man, I’m really honoured. I’m always down for a discussion on art or music… but art AND music? Count me in!

T: I’m working on my “Canadian”, the subtleties are harder to master that one might think… *laughs*

Okay… As a kid, I used to hide out in bookstores and look through the photography books, taking in every little bit I could with the compositions. I especially drawn to my hero, Helmet Newton and his ability combine fashion & nudity and his perfect eye and master of natural lighting. What got you into photography? Who are some key photographers (if any) that have inspired you?

AD: Photography started out simply as a tool in which to create a painting, a starting point really. It’s only been the last 3 or so years that I’ve begun seriously exploring photography as a medium of it’s own. I’ve always found photographic images intriguing though… I was the kid that would tear out images that they liked from magazines. The first real art I can remember producing were collages with all those images I had. As far as inspiration, Helmut Newton, Edward Weston, Sam Haskins, Robert Doisneau, Henri Cartier-Bresson, Jeanloup Sieff, Stephen Shore, Yousuf Karsh, Andy Warhol… I could go on and on. Inspiration comes from odd places at times as well…



T: That’s wonderful! For me, I could never paint from photos, they always came out flat, very weird, so my paintings became more abstract and emotional and less real. The camera (an old 35mm pentax, loooong gone) became my tool. But it wasn’t until I got an ugly little 1-megapixel Fuji point-n-shoot (which I still have and works great) about 10 years ago(?) that everything started opening up.

AD: You bringing up that old Fuji made me think of this old digital that I had seen at a garage sale… it wrote to a floppy disk. That’s some funny shit right there.

T: Ha! Fantastic….. Back in college, one of my rich friends (an early tech adopter) got a FULL VGA (woo!) digital camera when it first came out. Yeah, I think it was a box with a lens and a diskette or something inside. Funny shit. Cost him $1000 or so I think? Ooof.

AD: *laughs* FULL VGA!! That’s awesome!! My first “real” digital camera was a Nikon Coolpix 5700… that was back in the 5 MP race days. That fucker cost me 2K, but I loved that little camera. I took out a student loan so I could get it…

T: Damn! It’s amazing how far and also how little the technology has gone. I’m just glad the dSLR’s are a bit more affordable then they used to be. I picked up a D40, a great SLR for well under $1,000. What I’m waiting for now is Nikon to bust out with a dSLR that looks and feels like the old Nikon F1, completely with a simple prime lens. Oh man… that’d be heaven.

AD: I want that now… *laughs* Hopefully it’ll only be a matter of time.

T: I keep looking in the mags hoping to see it, but nope. Though I do look at photography magazines, I find I rather look at things I’m into, such as music, cycling, etc, to find inspiration instead of, say, other peoples work, not always, but I find I get more ideas from looking at, say, an album cover than I do looking at PHOTO magazine…. What do you look to now for inspiration, if anything?

AD: This is going to make me sound like such a douche, but I find everyday life to be constantly inspirational. Both the good stuff and the negative stuff… it makes us who we are and my work comes out of that. I carry a little notebook with me where ever I go and if anything hits me, I write it down. Most of it is shit or is only a simple concept, but from that has come some of my best, and most bizarre, work. I’m also a magazine freak… I love looking at photography magazines, mostly for the technical stuff. Geeking out on lighting and reverse engineering of the images. I also buy fashion magazines, art magazines, gaming magazines, lifestyle magazines… you never know where you’ll find that image that sparks something in your brain. I’m still that kid tearing out images…



T: Nothing douchy about that! I agree with you on the photo mags for tech inspiration. I have a stack of Shutterbugs, PHOTO, PDN, and even a couple of those dime-a-doze “Digital Camera” mags by the toilet for a few minute-glances through for technique ideas and, in case of emergency, as toilet paper! ha!

*laughs* Damn, that would hurt!

AD: *laughs* I suppose it was more of a cliché really. I strongly dislike clichés… photography is so full of them that it’s like walking across a frozen pond, you can fall through before you realize. That statement was a cliché.

*both of us laugh, because we are geeky like that*

T: But yeah, I usually have a small notebook and a point & shoot at me at all times, even on my bike rides. You never know when something will hit you upside the head!

AD: It seems that the notebook is fairly common practice, hey? The way I operate is to allow the ideas to flow as if it were automatic painting. I then go back into the book with an analytical brain ablaze; it’s then a matter of filtration. I think photographers need to filter more.

T: I couldn’t agree more, I’m trying to get better at editing myself, find the balance between under and over editing.



I wanted to ask you about equipment… I LOVE my Polaroid Spectra, but with the film become more & more scarce, I use it sparingly…. What’s your favourite camera and why?

AD: Hmm… this is like asking a parent to pick a favorite child. I love all my Polaroid cameras as well, particularly my SLR 680, but I think I’d have to go with my Mamiya RB67 Pro S with my Polaroid back on it. I love everything about it… the weight, the feel, the image quality… nothing beats that tank. That was kind of a parent answer huh?? I love all my children… but when it boils down to it, there’s always a favorite.

T: I hear you, you seem to have a knack for using the right tool for the right job…. to be honest, I think a trip to Alberta would be worth it alone just to hold and shoot with the mamiya/polaroid!

*day dreams of shooting with the Mamiya* Speaking of Alberta, it seems to be cropping up a little bit on the Canuck music scene (much to my joy and glee), what are your thoughts on Alberta? Do you see the “Alberta Advantage” being an advantage, not just for your photography, but your career as a photographer? Or do you see yourself heading out to Toronto, or NY/LA or something like that?

AD: I was born and raised in Calgary, been here all my life and I adore the city… it’s truly a great place to live. As far as the “Alberta Advantage”, it seems to matter less and less these days as to where you’re physically located. There’s this thing called the internet that seems to have changed things quite a bit… I think it’s the way of the future! *laughs* Calgary has an under current that’s growing and growing… people are craving more contemporary art. They no longer want their bronze horse statues.

T: Baby & I want to go up to Calgary… Alberta in general just looks amazing! But speaking of being a photographer in the modern age, how difficult do you find it to make a living as a fine art photographer? Do you do it on your own or do you have representation? Do you find it best to get in galleries or through self-promotion online? I guess what I’m asking (quite poorly) is how is it making a living as a fine art photographer in this day & age?

AD: Difficult. *laughs*

I’ve been lucky enough to be able to do this full time for the last 3 years… but it’s not exactly financially lucrative. *laughs* But really, if I was looking for something financially lucrative, I wouldn’t be doing what I do. I’ve had opportunities to do weddings, which is a common “go-to” for a photographer seeking some cash, but I have zero interest in it. The real issue is visibility. There are so many people running around out there calling themselves “photographers” these days that it’s really dumbed down the medium as a whole. I was represented by a gallery in the UK for a year, but nothing ever really came of it… I’ve sold far more work independently. I haven’t yet bothered with any local galleries, but it’s an idea that I’ve been toying with though. One of my newer series, Portrait Series II, was planned as a gallery show…. it’s still in it’s infancy, so we’ll see where it goes and if it’ll ever hang in the big white room. The majority of my exposure comes from fine people, such as yourself, that feature my work on their sites. There is no easy answer of course…

T: Ah, thank you, we just share what catches us emotionally, not just the music, but the photography too. If anything, photographers need much more help than musicians getting noticed in commoditized world we’re livin’ in… So, we are always happy to hear that we might have given an artist a little bump, no matter how little that bump may have been.

Now, as I’m well aware, much like myself, you are quite the music lover… Music often dictates much about our lives, how we dress, who we hang with, our viewpoint on life, etc. How would you say music has influenced your work?

AD: I can’t work without music on… it then directly influences how I’m feeling and therefore how I approach what I’m doing. The first thing I do, even prior to picking up a camera, is to put an album on. Now having said that, music selection becomes essential… If I want mellow images for example, I’ll put on something like Iron and Wine. The fact that 99% of my work is of people, music becomes a way of dictating how the shoot will look without having to say a word to the model. You throw on some Motorhead and you’re going to get something completely different…



T: Amen…. I’m always baffled by people who have an indifference to music, but I try not to hold it against them! *laughs* Do you let the model start the music, to help her “be her” or do you dictate the music to mold the model into the image that’s in your head?

AD: I’ve always been baffled by any indifference… most likely because I have opinions on most everything. *laughs* I always start off by asking the model to list some of the music they like, from there I’ll adjust accordingly.

T: That sounds like a good plan! I think I’m going to have to pick up a little ghetto blaster for some “on location” shoots! Getting a model comfortable is so important…. speaking of, I gotta say, you have some of the most beautiful and interesting models, from hard & punk to innocent & introverted looking. Are they friends, lovers, strangers, coffee shop girls, or all of the above, or do you just make online connections like through modelmayhem / onemodelplace / deviantart / etc type sites?

AD: The majority of the models that I’ve worked with up to this point, have contacted me on ModelMayhem… having said that, it’s sometimes now a friend of a friend or someone who has randomly come across my work and is interested in collaborating. I have an amazing group of ladies that I work with on a regular basis… I’m very lucky. I’m quite picky with who I work with though, to be honest. I still find that, for the most part, the best images come from photographing non-models… models usually have a persona that acts as a wall, I need to break down that wall prior to achieving anything of use. I’m simply looking to get an honest image…

T: Going back to music… What are a few “Essential Aaron Dunn” albums, some required listenings to get to know therealAARONDUNN?

AD: Do you remember the scene in High Fidelity when John Cusack is organizing his albums auto-biographically??

T: Fuck yeah!

AD: That’s how I roll as well… The Doors – Morrison Hotel, Johnny Cash – At Folsom Prison, 16 Horsepower – Sackcloth ‘n’ Ashes, Modest Mouse – The Moon & Antarctica, Scissor Sisters – Self-Titled, The Clash – London Calling, Primus – Pork Soda, Wolf Parade – Apologies to the Queen Mary, Neutral Milk Hotel – In The Aeroplane Over The Sea, Rancid – … And Out Come The Wolves, The Ramones – Self-Titled, The Velvet Underground & Nico – Self-Titled, Josh Ritter – The Historical Conquests of Josh Ritter, The Rural Alberta Advantage – Hometowns, The Born Ruffians – Red, Yellow & Blue, Brendan Canning – Something for All of Us, Thelonious Monk – Self-Titled, Solomon Burke – Self-Titled, Lightnin’ Hopkins – Self-Titled, Handsome Furs – Plague Park, Frank Sinatra – That’s Life, Bob Dylan – Blonde on Blonde, The Beatles – White Album…

T: Fantastic list! Never listened to the Josh Ritter album, fortunately our beloved Society member center52 made it this week’s Basement Required Listening, so it will be up on my rotation very soon.

NOTE: Since then I have indeed listened to and fell in love with the Josh Ritter album.

T (Cont’d): I see Rural Albert Advantage has already made it into the Essentials lists, mind-numbing album eh?

AD: I’ll start by saying thank you. *laughs* The RAA and NMH? I’ll forever be indebted to you for those 2 albums. The first time I listened to “The Ballad of the RAA” I was thinking “well this is rad”… then when track 2 “Comes Apart” comes on with that Zeppelin “Bron-Y-Aur Stomp”-esque clapping?? I was SOLD. Easily top 3 albums of 2008… could even be number 1 for me.

T: Thank you, man. It means a lot to me, the whole point of tsururadio is to get a few people likin’ something they otherwise might not have heard. RAA has become a serious “go to” album for me, but as a music blogger, I find that sometimes I need to move forward. Recently my ipod got erased, so I looked at it as a chance to break off from 08 for now and get looking ahead more. 2009 has been fantastic so far! Any oh-niners kicking you ass yet???

AD: Well you definitely deserve kudos my friend, you’ve turned me onto some pretty rad stuff. As far as ’09 goes… I’m loving the new Handsome Furs album, I was ridiculously excited to hear that one when it leaked. Can I talk about leaked albums? I will anyways…

T: *laughs, while looking over his shoulder for the RIAA*

AD: ’09 has started off rather amazing hasn’t it? Animal Collective, which I was honestly surprised at how much I’m enjoying it, Andrew Bird, Bat for Lashes, Clem Snide, Bell Orchestre, Heartless Bastards… such great stuff already.



T: I think High Fidelity was onto something. Music is an emotional connection, there are no right or wrong answers, no good or bad albums, autobiographical is probably the most honest way to look at your collection, it is what it is, and you need to accept and love, for example, in my auto-biographical-discography Neutral Milk Hotel’s In The Aeroplane Over The Sea just as much as that damn Footloose soundtrack I had when I was a kid. Both have shaped me and got me where I am today!

AD: I couldn’t agree with you more… “music is the soundtrack to our lives” as the old cliché goes… but it’s so very true. I’ll listen to an old Alice in Chains album and I’m brought back to being that angsty teen. If Oasis comes on the radio it makes me think of an ex-girlfriend…

T: What are some of your record store haunts, online or, as the kids text, “IRL”?

AD: Sam the Record Man was always one of my favorites when I was growing up. They were the first that allowed you to open up the album and take a listen before you bought it. They had this huge wall of open albums, categorized by genre, with little Sony Discmans below… I used to go in there and listen to everything I could get my hands on. And everyone that worked there seemed to be a DJ… DJ half-pint or DJ LookyLoo. They were awesome… it was like Empire Records, that kind of store where you wanted to work and discuss the intricacies of modern music or why Paul wasn’t wearing shoes. I’ve been avoiding the HMV’s of the world lately… they’re over crowed by pompous little dufus hipsters. I’ve had a beard since I could grow one and it pisses me off that the hipsters have taken that away from me. Fuck you hipsters for making the beard “cool”! *laughs*

T: *laughs* At least you can grow a beard, my face can best described as “patchy” at best… It’s not the beards that kill me, though, as much as the mustaches…. yeah it works on a few of them, but the rest look like skinny 80′s porn stars in skinny jeans and a dirty American Apparel v-neck shirt! Ha! Oh well, whattayagonnado? To each their own right?

AD: *laughing*… the “ironic” mustaches. Indeed, to each their own though.

T: But yeah, it’s a rare day for us to go to a HMV or whatever. Barnes & Noble is the closest to a corp-music-shop we hit. I often find it more comfortable to find/buy music from the comfort of my computer, unless we’re traveling, which is often, then baby & I like to find the little hole in the wall record stores and see what’s what. We found some amazing new & used albums that way.

AD: I’m finding that the only way to get what I really want is to order it online lately… if you’re not looking for Top 40 shit, music stores usually don’t give a damn. I’m lucky that I can find some of the Canadian talent in the local shops though. Random independent shops are fantastic though… I’m with you on that.

T: Do you have any musical prejudices that find difficult to reconcile? For me it’s “electronica/DJ” stuff, but I’ve fallen for Dan Deacon’s latest Bromst, and I try to listen to everything with open ears, or through the ears of someone who DOES love it, do you have anything like that, a genre or sound that you can’t seem to bust through or turns you off the moment you see the label in the description?

AD: To be completely honest, to call my musical tastes “eclectic” would be an understatement. With almost any genre, I can find something that I like, there are of coarse certain genres that prove a little more difficult to find something I dig in… namely Country or Rap/R&B. It’s funny that it’s electronica for you… I went through a phase that I listened to a lot of electronica. I always looked at it as contemporary classical… the way it was composed. Trance/Ambient or Drum and Bass for the most part, was what I was into. I don’t listen to it much anymore though…



T: How funny! I used to listen to rap when it first came out back in the 80s, and maybe a smidge of gangsta in the early 90s that was it. Old school country and R&B have been big parts of my musical growth. I remember the “alt-country” thing coming around, it really hit me as a great way to reconcile the old with a new sound. Now, if only “alt-R&B” existed, we’d be in business. Well, I guess we do have Daptone Records, but a little more variety would be nice. Given your past, I’d definitely recommend Bromst, though, gooood times.

AD: I guess I should have clarified that it’s usually contemporary Country/Rap/R&B that bores me. I grew up with the old school country playing on my grandparents record player, artists like Johnny Cash, Tammy Wynette, George Jones, Waylon Jennings… my Nampy (paternal grandfather) was a huge Boxcar Willie fan. Now having said that, I dig BlueGrass today… give me some banjo and I’ll probably dig it. My partner Christina is into country… so you know how that goes. *laughs* I don’t remember the “alt-country” thing though? As far as Rap, I went through the Gangsta phase as well… Easy E, Snoop, Dre, Tupac. Old school R&B was an influence on me as well… The Four Tops are a favorite. Dude’s like Marvin Gaye, Otis Redding, Fats Domino… all amazing stuff.



T: Ah, you are taking me back to my youth, my mom was/is huge into old school R&B, Soul, and Gospel. I don’t know how many Saturday commutes when she’d have to drag us to the restaurant in St. Pete where she was a waitress that we’d spend the 45 minutes listening to Michael Jackson or Anita Baker or the Mighty Clouds Of Joy! Good times.. good memories…

Now, before we bid each other farewell and wrap up the best goddamn interview ever (I said “EVER” goddammit!), I understand you’ve prepared an Aaron Dunn Essentials Mixtape? I can’t wait to hear it!

AD: I really hope everyone digs it… at first glance it may seem haphazard, but I’ve tried to weave some cohesive threads throughout. The art of the mixtape is a beautiful thing.

NOTE: FUCK YEAH! Sorry, I had to add that in as I built the post….

AD (Cont’d): My deepest thanks Tsuru, for the wonderful conversation, as well as this tasty metaphorical cognac.

T: *laughs* Trust me, it was MY pleasure, so thank you…. Now let’s cue the metaphoric dancing bikini-clad models to boogie to “My Goodies (or Milkshake or whatever it’s called)” at the closing credits as I requested!!!

What? Oh… According to the boss, that’s not happening (no budget) and that I’m metaphorically drunk. Oh well, it’s probably for the best, because now we can just get right into the mixtape I’ve been listening to since yesterday! And it’s a gem, my friends, spanning decades and genres guaranteed to have your toe a-tappin’ and your face a-smilin’!

So let’s do it! Thank you again, Aaron, it was great to interview, and get to know you more, not just through your words but for the mixtape we are about to share as…

TSURURADIO Proudly Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!! Accompanied Mixtape!!!
(Full Zip!)

01 Johnny Cash – Folsom Prison Blues
02 The Doors – Peace Frog
03 Bob Dylan – I Want You
04 Josh Ritter – To The Dogs Or Whoever
05 Brendan Canning – Churches Under The Stairs
06 Born Ruffians – I Need A Life
07 The Rural Alberta Advantage – Rush Apart
08 Primus – Ol’ Diamond Sturgeon
09 16 Horsepower – Black Soul Choir
10 Ben Fold Five – Army
11 The Clash – The Card Cheat
12 Scissor Sisters – Take Your Mama Out
13 The Arcade Fire – Rebellion (Lies)
14 Hayden – Bad As They Seem
15 The Beatles – Blackbird
16 Modest Mouse – 3rd Planet
17 Iron Horse – Float On
18 The Jesus And Mary Chain – Sometimes Always
19 Rancid – Ruby Soho
20 Wolf Parade – I’ll Believe In Anything
21 Neutral Milk Hotel – Two-Headed Boy
22 The National – Fake Empire
23 Bat For Lashes – What’s A Girl To Do
24 Frank Sinatra – That’s Life

Go show all the artists all your love here, and THE artist all your love here, here, and especially here now…


TSURURADIO Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!!

March 5, 2009
By

All Photography by therealAaronDunn

*** Warning to our beloved readers… The following special presentation contains imagery and links that may not be suitable for youngins, our more “sensitive bears”, or people wasting time at work. If you are easily offended by nudity, two photographer music-freaks jibber-jabberin’, you are at work (tsk, tsk), or you are home-schooled 12 year old who never heard the word “nipple” before, you may want to come back a different time, day, or year. ***

I’m very excited about today’s very special TSURURADIO Presents…! So very excited in fact, I seem to be using the word “very” very much already and we are just one paragraph in! Verily! It’s a rare day that we do interviews as we tend to let the artists’ music & art speak for itself here, but I recently had the opportunity & distinct pleasure to interview one of my favourite contemporary fine art photographers, Aaron Dunn.

Now some of you may be wondering just who Aaron Dunn is, therealAARONDUNN, and well, if you JUST come here for the music and not the artsy stuff and don’t happened to peruse deviant art and are not a fan of A Flower A Day or Fleshbot (both NSFW), well then yeah, you might not be all that familiar the man, nay, the legend that is Aaron Dunn (accept NO imitations). Well, let’s give you a little background…

Aaron is a fine art photographer, painter, a fellow “Aaron”, and music-lover born in raised in Calgary, Alberta, Canada (lucky bastard) and, unlike my sorry ass, makes his living this way. He graduated the Alberta College of Art & Design in 2004 but was told that because he never pigeon-holed himself to one medium, one “look”, that he lacked focus. Fortunately for us, that “lack of focus” gave him the ability to use any medium that seemed medium-worthy, from drawing to painting to glass-blowing to textiles to, of course, photography! The ability to express one’s self in a wide array of formats and to express it in a way that is understandable & appreciated from the lowest of low-brows (yay, boobies!) to the tweediest of high-brows (I like the use of light under her left bosom) is a gift most of us will never have…



Great, now you got a little snapshot of the man, let’s get on with it. You are in luck, not only are you getting to peer into the mind of a photographer, but you’ll also get the opportunity to enjoy two special treats! One, a photographic “mixtape”, which, for the uninitiated, is simply a thoughtful and ordered collection of photographs… We’ll pepper this in throughout the interview for your convenience. And two, our special guest has compiled a mixtape of his own, a therealAARONDUNN essentials mixtape! And that’s pretty fucking sweet…

Okay, let’s go sit down by the fire, toss on another log, sip our cognacs, pretend we are talking while the theme music plays, until the cue that is, and let’s roll some tape! All metaphorically, of course, as…

TSURURADIO Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!!

*applause*

Tsuru (T): Thank you so much Aaron, for taking the time out to talk with me! Let’s get right to it, eh?

Aaron Dunn (AD): Was that “Eh” a subtle hint at my Canuck heritage Tsuru? *laughs* Thanks for putting this together man, I’m really honoured. I’m always down for a discussion on art or music… but art AND music? Count me in!

T: I’m working on my “Canadian”, the subtleties are harder to master that one might think… *laughs*

Okay… As a kid, I used to hide out in bookstores and look through the photography books, taking in every little bit I could with the compositions. I especially drawn to my hero, Helmet Newton and his ability combine fashion & nudity and his perfect eye and master of natural lighting. What got you into photography? Who are some key photographers (if any) that have inspired you?

AD: Photography started out simply as a tool in which to create a painting, a starting point really. It’s only been the last 3 or so years that I’ve begun seriously exploring photography as a medium of it’s own. I’ve always found photographic images intriguing though… I was the kid that would tear out images that they liked from magazines. The first real art I can remember producing were collages with all those images I had. As far as inspiration, Helmut Newton, Edward Weston, Sam Haskins, Robert Doisneau, Henri Cartier-Bresson, Jeanloup Sieff, Stephen Shore, Yousuf Karsh, Andy Warhol… I could go on and on. Inspiration comes from odd places at times as well…



T: That’s wonderful! For me, I could never paint from photos, they always came out flat, very weird, so my paintings became more abstract and emotional and less real. The camera (an old 35mm pentax, loooong gone) became my tool. But it wasn’t until I got an ugly little 1-megapixel Fuji point-n-shoot (which I still have and works great) about 10 years ago(?) that everything started opening up.

AD: You bringing up that old Fuji made me think of this old digital that I had seen at a garage sale… it wrote to a floppy disk. That’s some funny shit right there.

T: Ha! Fantastic….. Back in college, one of my rich friends (an early tech adopter) got a FULL VGA (woo!) digital camera when it first came out. Yeah, I think it was a box with a lens and a diskette or something inside. Funny shit. Cost him $1000 or so I think? Ooof.

AD: *laughs* FULL VGA!! That’s awesome!! My first “real” digital camera was a Nikon Coolpix 5700… that was back in the 5 MP race days. That fucker cost me 2K, but I loved that little camera. I took out a student loan so I could get it…

T: Damn! It’s amazing how far and also how little the technology has gone. I’m just glad the dSLR’s are a bit more affordable then they used to be. I picked up a D40, a great SLR for well under $1,000. What I’m waiting for now is Nikon to bust out with a dSLR that looks and feels like the old Nikon F1, completely with a simple prime lens. Oh man… that’d be heaven.

AD: I want that now… *laughs* Hopefully it’ll only be a matter of time.

T: I keep looking in the mags hoping to see it, but nope. Though I do look at photography magazines, I find I rather look at things I’m into, such as music, cycling, etc, to find inspiration instead of, say, other peoples work, not always, but I find I get more ideas from looking at, say, an album cover than I do looking at PHOTO magazine…. What do you look to now for inspiration, if anything?

AD: This is going to make me sound like such a douche, but I find everyday life to be constantly inspirational. Both the good stuff and the negative stuff… it makes us who we are and my work comes out of that. I carry a little notebook with me where ever I go and if anything hits me, I write it down. Most of it is shit or is only a simple concept, but from that has come some of my best, and most bizarre, work. I’m also a magazine freak… I love looking at photography magazines, mostly for the technical stuff. Geeking out on lighting and reverse engineering of the images. I also buy fashion magazines, art magazines, gaming magazines, lifestyle magazines… you never know where you’ll find that image that sparks something in your brain. I’m still that kid tearing out images…



T: Nothing douchy about that! I agree with you on the photo mags for tech inspiration. I have a stack of Shutterbugs, PHOTO, PDN, and even a couple of those dime-a-doze “Digital Camera” mags by the toilet for a few minute-glances through for technique ideas and, in case of emergency, as toilet paper! ha!

*laughs* Damn, that would hurt!

AD: *laughs* I suppose it was more of a cliché really. I strongly dislike clichés… photography is so full of them that it’s like walking across a frozen pond, you can fall through before you realize. That statement was a cliché.

*both of us laugh, because we are geeky like that*

T: But yeah, I usually have a small notebook and a point & shoot at me at all times, even on my bike rides. You never know when something will hit you upside the head!

AD: It seems that the notebook is fairly common practice, hey? The way I operate is to allow the ideas to flow as if it were automatic painting. I then go back into the book with an analytical brain ablaze; it’s then a matter of filtration. I think photographers need to filter more.

T: I couldn’t agree more, I’m trying to get better at editing myself, find the balance between under and over editing.



I wanted to ask you about equipment… I LOVE my Polaroid Spectra, but with the film become more & more scarce, I use it sparingly…. What’s your favourite camera and why?

AD: Hmm… this is like asking a parent to pick a favorite child. I love all my Polaroid cameras as well, particularly my SLR 680, but I think I’d have to go with my Mamiya RB67 Pro S with my Polaroid back on it. I love everything about it… the weight, the feel, the image quality… nothing beats that tank. That was kind of a parent answer huh?? I love all my children… but when it boils down to it, there’s always a favorite.

T: I hear you, you seem to have a knack for using the right tool for the right job…. to be honest, I think a trip to Alberta would be worth it alone just to hold and shoot with the mamiya/polaroid!

*day dreams of shooting with the Mamiya* Speaking of Alberta, it seems to be cropping up a little bit on the Canuck music scene (much to my joy and glee), what are your thoughts on Alberta? Do you see the “Alberta Advantage” being an advantage, not just for your photography, but your career as a photographer? Or do you see yourself heading out to Toronto, or NY/LA or something like that?

AD: I was born and raised in Calgary, been here all my life and I adore the city… it’s truly a great place to live. As far as the “Alberta Advantage”, it seems to matter less and less these days as to where you’re physically located. There’s this thing called the internet that seems to have changed things quite a bit… I think it’s the way of the future! *laughs* Calgary has an under current that’s growing and growing… people are craving more contemporary art. They no longer want their bronze horse statues.

T: Baby & I want to go up to Calgary… Alberta in general just looks amazing! But speaking of being a photographer in the modern age, how difficult do you find it to make a living as a fine art photographer? Do you do it on your own or do you have representation? Do you find it best to get in galleries or through self-promotion online? I guess what I’m asking (quite poorly) is how is it making a living as a fine art photographer in this day & age?

AD: Difficult. *laughs*

I’ve been lucky enough to be able to do this full time for the last 3 years… but it’s not exactly financially lucrative. *laughs* But really, if I was looking for something financially lucrative, I wouldn’t be doing what I do. I’ve had opportunities to do weddings, which is a common “go-to” for a photographer seeking some cash, but I have zero interest in it. The real issue is visibility. There are so many people running around out there calling themselves “photographers” these days that it’s really dumbed down the medium as a whole. I was represented by a gallery in the UK for a year, but nothing ever really came of it… I’ve sold far more work independently. I haven’t yet bothered with any local galleries, but it’s an idea that I’ve been toying with though. One of my newer series, Portrait Series II, was planned as a gallery show…. it’s still in it’s infancy, so we’ll see where it goes and if it’ll ever hang in the big white room. The majority of my exposure comes from fine people, such as yourself, that feature my work on their sites. There is no easy answer of course…

T: Ah, thank you, we just share what catches us emotionally, not just the music, but the photography too. If anything, photographers need much more help than musicians getting noticed in commoditized world we’re livin’ in… So, we are always happy to hear that we might have given an artist a little bump, no matter how little that bump may have been.

Now, as I’m well aware, much like myself, you are quite the music lover… Music often dictates much about our lives, how we dress, who we hang with, our viewpoint on life, etc. How would you say music has influenced your work?

AD: I can’t work without music on… it then directly influences how I’m feeling and therefore how I approach what I’m doing. The first thing I do, even prior to picking up a camera, is to put an album on. Now having said that, music selection becomes essential… If I want mellow images for example, I’ll put on something like Iron and Wine. The fact that 99% of my work is of people, music becomes a way of dictating how the shoot will look without having to say a word to the model. You throw on some Motorhead and you’re going to get something completely different…



T: Amen…. I’m always baffled by people who have an indifference to music, but I try not to hold it against them! *laughs* Do you let the model start the music, to help her “be her” or do you dictate the music to mold the model into the image that’s in your head?

AD: I’ve always been baffled by any indifference… most likely because I have opinions on most everything. *laughs* I always start off by asking the model to list some of the music they like, from there I’ll adjust accordingly.

T: That sounds like a good plan! I think I’m going to have to pick up a little ghetto blaster for some “on location” shoots! Getting a model comfortable is so important…. speaking of, I gotta say, you have some of the most beautiful and interesting models, from hard & punk to innocent & introverted looking. Are they friends, lovers, strangers, coffee shop girls, or all of the above, or do you just make online connections like through modelmayhem / onemodelplace / deviantart / etc type sites?

AD: The majority of the models that I’ve worked with up to this point, have contacted me on ModelMayhem… having said that, it’s sometimes now a friend of a friend or someone who has randomly come across my work and is interested in collaborating. I have an amazing group of ladies that I work with on a regular basis… I’m very lucky. I’m quite picky with who I work with though, to be honest. I still find that, for the most part, the best images come from photographing non-models… models usually have a persona that acts as a wall, I need to break down that wall prior to achieving anything of use. I’m simply looking to get an honest image…

T: Going back to music… What are a few “Essential Aaron Dunn” albums, some required listenings to get to know therealAARONDUNN?

AD: Do you remember the scene in High Fidelity when John Cusack is organizing his albums auto-biographically??

T: Fuck yeah!

AD: That’s how I roll as well… The Doors – Morrison Hotel, Johnny Cash – At Folsom Prison, 16 Horsepower – Sackcloth ‘n’ Ashes, Modest Mouse – The Moon & Antarctica, Scissor Sisters – Self-Titled, The Clash – London Calling, Primus – Pork Soda, Wolf Parade – Apologies to the Queen Mary, Neutral Milk Hotel – In The Aeroplane Over The Sea, Rancid – … And Out Come The Wolves, The Ramones – Self-Titled, The Velvet Underground & Nico – Self-Titled, Josh Ritter – The Historical Conquests of Josh Ritter, The Rural Alberta Advantage – Hometowns, The Born Ruffians – Red, Yellow & Blue, Brendan Canning – Something for All of Us, Thelonious Monk – Self-Titled, Solomon Burke – Self-Titled, Lightnin’ Hopkins – Self-Titled, Handsome Furs – Plague Park, Frank Sinatra – That’s Life, Bob Dylan – Blonde on Blonde, The Beatles – White Album…

T: Fantastic list! Never listened to the Josh Ritter album, fortunately our beloved Society member center52 made it this week’s Basement Required Listening, so it will be up on my rotation very soon.

NOTE: Since then I have indeed listened to and fell in love with the Josh Ritter album.

T (Cont’d): I see Rural Albert Advantage has already made it into the Essentials lists, mind-numbing album eh?

AD: I’ll start by saying thank you. *laughs* The RAA and NMH? I’ll forever be indebted to you for those 2 albums. The first time I listened to “The Ballad of the RAA” I was thinking “well this is rad”… then when track 2 “Comes Apart” comes on with that Zeppelin “Bron-Y-Aur Stomp”-esque clapping?? I was SOLD. Easily top 3 albums of 2008… could even be number 1 for me.

T: Thank you, man. It means a lot to me, the whole point of tsururadio is to get a few people likin’ something they otherwise might not have heard. RAA has become a serious “go to” album for me, but as a music blogger, I find that sometimes I need to move forward. Recently my ipod got erased, so I looked at it as a chance to break off from 08 for now and get looking ahead more. 2009 has been fantastic so far! Any oh-niners kicking you ass yet???

AD: Well you definitely deserve kudos my friend, you’ve turned me onto some pretty rad stuff. As far as ’09 goes… I’m loving the new Handsome Furs album, I was ridiculously excited to hear that one when it leaked. Can I talk about leaked albums? I will anyways…

T: *laughs, while looking over his shoulder for the RIAA*

AD: ’09 has started off rather amazing hasn’t it? Animal Collective, which I was honestly surprised at how much I’m enjoying it, Andrew Bird, Bat for Lashes, Clem Snide, Bell Orchestre, Heartless Bastards… such great stuff already.



T: I think High Fidelity was onto something. Music is an emotional connection, there are no right or wrong answers, no good or bad albums, autobiographical is probably the most honest way to look at your collection, it is what it is, and you need to accept and love, for example, in my auto-biographical-discography Neutral Milk Hotel’s In The Aeroplane Over The Sea just as much as that damn Footloose soundtrack I had when I was a kid. Both have shaped me and got me where I am today!

AD: I couldn’t agree with you more… “music is the soundtrack to our lives” as the old cliché goes… but it’s so very true. I’ll listen to an old Alice in Chains album and I’m brought back to being that angsty teen. If Oasis comes on the radio it makes me think of an ex-girlfriend…

T: What are some of your record store haunts, online or, as the kids text, “IRL”?

AD: Sam the Record Man was always one of my favorites when I was growing up. They were the first that allowed you to open up the album and take a listen before you bought it. They had this huge wall of open albums, categorized by genre, with little Sony Discmans below… I used to go in there and listen to everything I could get my hands on. And everyone that worked there seemed to be a DJ… DJ half-pint or DJ LookyLoo. They were awesome… it was like Empire Records, that kind of store where you wanted to work and discuss the intricacies of modern music or why Paul wasn’t wearing shoes. I’ve been avoiding the HMV’s of the world lately… they’re over crowed by pompous little dufus hipsters. I’ve had a beard since I could grow one and it pisses me off that the hipsters have taken that away from me. Fuck you hipsters for making the beard “cool”! *laughs*

T: *laughs* At least you can grow a beard, my face can best described as “patchy” at best… It’s not the beards that kill me, though, as much as the mustaches…. yeah it works on a few of them, but the rest look like skinny 80′s porn stars in skinny jeans and a dirty American Apparel v-neck shirt! Ha! Oh well, whattayagonnado? To each their own right?

AD: *laughing*… the “ironic” mustaches. Indeed, to each their own though.

T: But yeah, it’s a rare day for us to go to a HMV or whatever. Barnes & Noble is the closest to a corp-music-shop we hit. I often find it more comfortable to find/buy music from the comfort of my computer, unless we’re traveling, which is often, then baby & I like to find the little hole in the wall record stores and see what’s what. We found some amazing new & used albums that way.

AD: I’m finding that the only way to get what I really want is to order it online lately… if you’re not looking for Top 40 shit, music stores usually don’t give a damn. I’m lucky that I can find some of the Canadian talent in the local shops though. Random independent shops are fantastic though… I’m with you on that.

T: Do you have any musical prejudices that find difficult to reconcile? For me it’s “electronica/DJ” stuff, but I’ve fallen for Dan Deacon’s latest Bromst, and I try to listen to everything with open ears, or through the ears of someone who DOES love it, do you have anything like that, a genre or sound that you can’t seem to bust through or turns you off the moment you see the label in the description?

AD: To be completely honest, to call my musical tastes “eclectic” would be an understatement. With almost any genre, I can find something that I like, there are of coarse certain genres that prove a little more difficult to find something I dig in… namely Country or Rap/R&B. It’s funny that it’s electronica for you… I went through a phase that I listened to a lot of electronica. I always looked at it as contemporary classical… the way it was composed. Trance/Ambient or Drum and Bass for the most part, was what I was into. I don’t listen to it much anymore though…



T: How funny! I used to listen to rap when it first came out back in the 80s, and maybe a smidge of gangsta in the early 90s that was it. Old school country and R&B have been big parts of my musical growth. I remember the “alt-country” thing coming around, it really hit me as a great way to reconcile the old with a new sound. Now, if only “alt-R&B” existed, we’d be in business. Well, I guess we do have Daptone Records, but a little more variety would be nice. Given your past, I’d definitely recommend Bromst, though, gooood times.

AD: I guess I should have clarified that it’s usually contemporary Country/Rap/R&B that bores me. I grew up with the old school country playing on my grandparents record player, artists like Johnny Cash, Tammy Wynette, George Jones, Waylon Jennings… my Nampy (paternal grandfather) was a huge Boxcar Willie fan. Now having said that, I dig BlueGrass today… give me some banjo and I’ll probably dig it. My partner Christina is into country… so you know how that goes. *laughs* I don’t remember the “alt-country” thing though? As far as Rap, I went through the Gangsta phase as well… Easy E, Snoop, Dre, Tupac. Old school R&B was an influence on me as well… The Four Tops are a favorite. Dude’s like Marvin Gaye, Otis Redding, Fats Domino… all amazing stuff.



T: Ah, you are taking me back to my youth, my mom was/is huge into old school R&B, Soul, and Gospel. I don’t know how many Saturday commutes when she’d have to drag us to the restaurant in St. Pete where she was a waitress that we’d spend the 45 minutes listening to Michael Jackson or Anita Baker or the Mighty Clouds Of Joy! Good times.. good memories…

Now, before we bid each other farewell and wrap up the best goddamn interview ever (I said “EVER” goddammit!), I understand you’ve prepared an Aaron Dunn Essentials Mixtape? I can’t wait to hear it!

AD: I really hope everyone digs it… at first glance it may seem haphazard, but I’ve tried to weave some cohesive threads throughout. The art of the mixtape is a beautiful thing.

NOTE: FUCK YEAH! Sorry, I had to add that in as I built the post….

AD (Cont’d): My deepest thanks Tsuru, for the wonderful conversation, as well as this tasty metaphorical cognac.

T: *laughs* Trust me, it was MY pleasure, so thank you…. Now let’s cue the metaphoric dancing bikini-clad models to boogie to “My Goodies (or Milkshake or whatever it’s called)” at the closing credits as I requested!!!

What? Oh… According to the boss, that’s not happening (no budget) and that I’m metaphorically drunk. Oh well, it’s probably for the best, because now we can just get right into the mixtape I’ve been listening to since yesterday! And it’s a gem, my friends, spanning decades and genres guaranteed to have your toe a-tappin’ and your face a-smilin’!

So let’s do it! Thank you again, Aaron, it was great to interview, and get to know you more, not just through your words but for the mixtape we are about to share as…

TSURURADIO Proudly Presents… An Interview With therealAARONDUNN with Accompanying Musical & (Mostly NSFW) Photographical Mixtapes!!! Accompanied Mixtape!!!
(Full Zip!)

01 Johnny Cash – Folsom Prison Blues
02 The Doors – Peace Frog
03 Bob Dylan – I Want You
04 Josh Ritter – To The Dogs Or Whoever
05 Brendan Canning – Churches Under The Stairs
06 Born Ruffians – I Need A Life
07 The Rural Alberta Advantage – Rush Apart
08 Primus – Ol’ Diamond Sturgeon
09 16 Horsepower – Black Soul Choir
10 Ben Fold Five – Army
11 The Clash – The Card Cheat
12 Scissor Sisters – Take Your Mama Out
13 The Arcade Fire – Rebellion (Lies)
14 Hayden – Bad As They Seem
15 The Beatles – Blackbird
16 Modest Mouse – 3rd Planet
17 Iron Horse – Float On
18 The Jesus And Mary Chain – Sometimes Always
19 Rancid – Ruby Soho
20 Wolf Parade – I’ll Believe In Anything
21 Neutral Milk Hotel – Two-Headed Boy
22 The National – Fake Empire
23 Bat For Lashes – What’s A Girl To Do
24 Frank Sinatra – That’s Life

Go show all the artists all your love here, and THE artist all your love here, here, and especially here now…


Presents… An Interview with Steve Goldberg!

June 15, 2007
By
Photography, Unknown
It’s been over two months since I lost got a chance to talk about Steve Goldberg and his Arch Enemies and his delightful self-titled release, a lot has happened getting albums shipped out and setting up a tour. And no ladies, you probably won’t be finding his mug on the television just yet, so turn it off, turn around (well, turn around s-l-o-o-o-w-l-y) and pay attention, because what is about to follow is an exclusive & a TSURURADIO first, as TSURURADIO Presents…. An Interview with Steve Goldberg!

THE FIGHTIN’ GOLDBERG!


TR: First off, congratulations on completing your first full album as well as the the whole recording process. Can you tell me a little bit about the experience? How was it different from when you put together you EP How I Remember Them?

SG: Thanks. Recording the new album was very different. When I made the EP in 2005, that was my first time working in a recording studio setting. It was a home studio, but the owner/engineer had nice mics, although I knew little about recording then so I left most of the decisions up to him. Those songs weren’t really fleshed out before we went in to record them; the drummer had just learned everything. They were all pretty simple rock band arrangements, though. There weren’t that many musicians playing on it.

The biggest differences with recording the new album were the scale of everything — we were limited to 32 tracks and used that many on most of the songs, and there were 20-some different instruments in various places — and the fact that I had almost everything written out and planned beforehand. The latter was a necessity due to the scope of the project, but it’s so much nicer to record when you can write a part on paper, hand it to a player, and then have at it. That way you spend a lot less time listening to the track over and over for mistakes and trying to communicate about them. You just follow along on the paper and say “Yeah, the third beat of bar 23,” and everyone is in the same place.

TR: I imagined you learned alot… looking back, is there anything you will do differently next time?

SG: I did almost everything myself, so I learned a lot about recording and mixing. I wish I’d known as much at the beginning of the project as I did at the end. By the time I was mixing it I’d (luckily) figured a lot of things out that I hadn’t known during tracking. Unfortunately there’s only so much you can do during mixing to correct for errors made during tracking – the best thing to do is to get it right at the beginning. So I think I’ll get a little closer to the mark next time I record.

And hearing the arrangements take shape was very instructive. I had to imagine what all the instrumentation would sound like when I was notating all the parts. And arranging for a recording is different from arranging for live performance. So I gained a bit of insight into that.

TR: Speaking of next time, when do you hope to start working on the next album? Will we get to see an album every year or every 2 years?

SG: Well, I sometimes felt frustrated during recording because I wanted to start working on some new material, but when I was spending every night in the studio with the album songs I found it very difficult to get my head out of those patterns and into something new. So I don’t have much started in the way of a next album, but I do have a little. I have no idea what direction I’ll go with it in terms of sound, though. I don’t know if or when I’m next going to have the means to make anything like what I made this time. When I was pulling my hair out trying to mix this stuff, I’d joke that on the next album every song would be just acoustic guitar and vocals with no more than four tracks. That sounds pleasant. I don’t know if I could do that, though. But I think I should have another one finished in less than two years. I’ll feel kind of ashamed if I don’t. Everything from writing all the way to mastering for this one took less than two years, and I’d like to think that I’m better at all of it now.


Steve Goldberg & The Arch Enemies – The Road

TR: Okay back to the recording process, any major issues come up? If so, how did you handle them?

SG: When we first started recording we were sort of feeling around in the dark. There was another student, Will Haines, who was the engineer while I played producer. But we were both learning together as we went along. But besides things that we could’ve done a little better in terms of engineering or mixing practices, things went pretty smoothly overall. It’s sort of surprising to me that we were able to keep on schedule and get all of this done in two semesters while everyone was a full-time student and we had to share the studio space with lots of other projects. There were lots of scheduling hassles, between getting the studio and getting whoever needed to record to come in at the right time. But we didn’t have any big disasters. My hard drive didn’t get wiped in the middle or anything, although I had some nightmares about that.

TR: On to the album itself… You did a great job, the songs are diverse, yet cohesive. It’s well-executed, fun pop. What was the overall experience you were hoping to give the listener?

SG: Well, I think that the idea of variety was important to me in terms of the album’s overall aesthetic. Some albums have a kind of stylistic or thematic cohesion that really works, like Pet Sounds or In the Aeroplane Over the Sea, and I think that’s how we often think about the “great album” these days. But I think a lot of albums end up getting made where people feel like they’ve found their niche but they sound like they’re writing the same song over and over, and that really turns me off. And maybe it’s because I haven’t been ready or willing to commit to a niche or a certain voice. I have a lot of conflicting impulses about whether I want to be poppy or artsy, streamlined or layered, serious or goofy. So I tried to scratch all of those itches with different songs. I’ve always loved The Beatles’ Revolver for the way it does that. It puts “Yellow Submarine” together with “Tomorrow Never Knows”, “Eleanor Rigby” with “Here There and Everywhere”. I think it shows that you can make a great album without having an overarching unified tone or personality. So from one song to the next, I wanted there to always be the feeling of covering new territory and hearing new sounds.

TR: What are some of your personal favorite songs, songs that you are most proud of?

SG: I feel good for having pulled off “The Spy”. I wanted the whole two-part thing to be really grand and for the music to have a certain dramatic sweep that evoked the narrative, and at the beginning (and in the middle) I wasn’t sure I’d be able to make it work, recording-wise. If I’d had someone I could count on for all of the technical stuff, either to just make it happen or even to give me a little guidance, I probably wouldn’t have been so stressed during the whole process. But it was mostly on me. I spent awhile on the sound effects and the transition between the two parts, trying out different sounds and whatnot, and quite a bit more time balancing all of the parts against each other. There are several places where we recorded parts that you don’t hear. Some of them I had to cut to make room for other things, and some of them ended up staying but getting mixed quite low. It can be hard to make those decisions, to cut a part that you spent time writing and recording. I think that’s one of the dangers of doing everything yourself. But I tried hard to stay objective and I’m quite happy with how it came together.


Steve Goldberg & The Arch Enemies – The Spy (Part 1)

TR: The Spy Part I & II was indeed pretty, oh how I dread this word, “epic”. The narrative, the excellent harmonies, the great climatic ending… it truly made for a great centerpiece to the album. The pause and burst of “so come home” at around the 5 min mark on part II stills gives me slight goosebumps. So, why a spy song?

SG: I’ve been interested for some time in song narratives that have a kind of exaggerated romantic drama to them. You can see it in “The Battle of Agincourt”, which appeared on my first EP, and is the oldest song on the new album. That song was largely inspired by Don Quixote, who’s the quintessential embodiment of that point of view, where everything he sees gets heightened and exaggerated and romanticized. There’s something about that kind of storytelling that I think fits very well with the sort of songs I like to write.

When I first started working on what became “Part 1″, I had set some clear songwriting objectives for myself. I had been listening to a lot of Lucksmiths, and I think I’d recently written “The Road” and “Artichokes”, which are very bouncy and naive in a way. All of my songs up until that point were written in major keys. So I wanted to write something darker to counterbalance that stuff, but I didn’t want it to be too personal or introspective, because I was trying to get away from that sort of navel-gazing thing, too. I think I’d recently heard the song “Bagman’s Gambit” by The Decemberists and thought that the Cold War espionage setting was really great and perfect for the kind of thing I was looking to do, so that launched the whole theme. I’ve always been fascinated by James Bond and Mission Impossible and the like, though. The idea of being a secret agent makes for exciting stories. Being undercover, always in danger, not knowing whom you can trust, saving the world without the world ever knowing, that kind of thing.

I finished “Part 1″ and began “Part 2″ during the semester I spent in London, which is also when I wrote most of the other songs for the album. I had a great time there and didn’t want to leave, but I think there’s some homesickness coming through in that song. At first I had thought it was going to be a sister song to “Agincourt” because of the similar “come home” kind of themes, but as I got into it I realized it would work really well as a counterpart to “The Spy” that would let me show another perspective, one that was ignorant to the goings on in “Part 1″. So there’s some dramatic irony there, where the listener who’s heard “Part 1″ knows that things are pretty dire for the spy, while the spy’s wife who sings “Part 2″ is still in the dark. It wasn’t until just before we went into the studio that I decided to write a segue between the two and make them into a continuous piece.

TR: Who’s that lovely songstress singing with you? Any chance you’d write something for her to sing lead on your next album?

SG: That’s the talented Bridget Lazzari. Ironically, we both attended college in PA about three hours apart from each other, but we didn’t meet until we spent a semester in London at the same school. We were hanging out on a day before one of my gigs when Bridget mentioned to me that she sang, so I asked her if she wanted to come onstage and sing with me that night. It took some persuading, but I got her to agree, taught her a couple of songs right then, and the rest was history. Hopefully she’ll be joining us for a few dates on the upcoming tour. As for having her sing lead, it’s crossed my mind. The most recent song I wrote, which nobody’s heard, was for a friend’s musical, and it had a girl singing it. It’s kind of nice and different to write something for someone else to sing. So we’ll see.


Steve Goldberg & The Arch Enemies – The Spy (Part 2)

TR: Another huge standout for me was “February Third”, it’s starts off all innocent and all, but quickly builds to klezmer-sounding violins wrapping around it’s bouncing melody, yet the lyrics are a bit dark, singing about the end coming, and getting the hell out and what not… Where did this gem come from? What’s the significance of Feb 3rd?

SG: Well, the title may be a little disappointing – I wrote it on February third, 2006. But I felt like that was fitting, in that there’s something about the song which feels like the end of winter, where you’ve been enduring the cold for what seems like forever but if you hold out for just a little longer things will start to thaw and get nice again. It’s not about any one thing in particular, but I’d describe it as a song about coming to terms with one’s past, dragging the skeletons out of the closet and letting go of them, moving on, etc. I hit on the yard sale metaphor and the rest followed. I think I’d been listening to a lot of Mountain Goats at that time.

TR: “23rd Century Identity Crisis” and “The Battle of Agincourt” sound like titles out of a 70′s prog-rock album, yet I didn’t hear Rick Wakemen on the keys… what are some of your biggest influences? Who are some of your current artists getting stuck in your head these days? (how about that transistion, eh?)

SG: Like I touched on above, I think the Lucksmiths had a big influence on a lot of the poppier songs. Listening to them, The Mountain Goats, The Decemberists, and John Vanderslice really pushed me to spend a lot of time making the lyrics just right. I remember listening to Wolf Parade a bunch around that time, too. And I was listening to Sufjan’s Illinois and Arcade Fire’s Funeral a lot for their orchestral arrangements. But going back some more, my dad used to play a lot of Simon and Garfunkel and Crosby, Stills, and Nash when I was growing up. That and the soundtrack to Jesus Christ Superstar. I loved all of that when I was a kid.

TR: I love “Artichokes”, the food preparation to love connection reminds me of that classic 1993 Mexican movie, Like Water for Chocolate, except while that movie was a dark fantasy of forbidden love in old Mexico, yours seems to be pure adoration for an amazing cook who’s love you are trying to figure out how to attract… have you fallen for a chef, Steve? Or have you been watching the refrigerator scene in 9 1/2 weeks too much?

SG: That song was inspired by my girlfriend of three years, who’s an excellent cook and helped me develop a better appreciation for good food. I remember sitting out on her porch and eating some pasta and asparagus that she’d prepared when I had the idea for that song. She helped me come up with some of the foods I sing about in that one, too. It started with “She’s got a way / with a creme brulee,” and flowed from there.

TR: The bright horns are perfectly used in this tune. I can almost see you walking down the street after finishing a meal at her restaurant singing ala the old musicals, while the other pedestrians look and stare… Is that the effect you were trying to get?

SG: Yeah, it’s kind of a goofy song, the type where you have to suspend disbelief a little, but it’s a lot of fun if you do, so I can see the musical analogy. It’s a palette cleanser, if you will. It’s always fun to play live.


Steve Goldberg & The Arch Enemies – Summers Ending

TR: I think using “Summer’s Ending” to finish the album was a great choice. It’s mood and theme make for a perfect closing passage. It brings up a question that is of great interest to me as a complete mixtape geek since my youth with my old vinyl collection…. How much thought did you put into tracklisting? How important is tracklisting to an album?

SG: I think tracklisting is very important, but I like listening to albums, as opposed to the possibly more common practice these days of listening to singles, or iPods on shuffle or whatever. That’s a classic rock-snob thing to say, but that’s not how I mean it – I don’t think there’s anything inferior about jumping around, I just dig the idea of the album as an experience, kind of like a classical piece with multiple movements. In a way the tracklisting wasn’t that hard to come up with because of the way I went about writing the songs – i.e., I wanted them to contrast with one another. So it was matter of arranging them for the maximum difference between adjacent songs. So like I was saying, “Artichokes” cleanses the palette after the drama of “Agincourt”, the bounciness of the “Road” and “Julia” contrasts with the melancholy of “February Third”, etc. So the tracklist was mostly set pretty early on in the process, although there was one last-minute change. “Summer’s Ending” wasn’t going to be the last song. But when I heard the way it was ending up, I knew it had to be.

TR: So, what next for The Arch Enemies? Touring, correct? What can your audience expect out of a Steve Goldberg & The Arch Enemies show? Plan on doing any covers?

SG: We’re leaving for our first tour in about a week. I’m really pumped. Live performances took a back seat during the creation of this album. That was a necessity for a couple of reasons – my drummer abruptly quit shortly after he recorded his parts, and I just didn’t have the time or energy to look for someone new and practice and book shows what with all the time I was spending in the studio. And I wasn’t all that motivated to play out before we had an album to promote. But now I’ve got a bassist, a great new drummer, and a violinist who can really shred. It’s the best band I’ve ever had by far. I’ve written out all new parts for the violinist that integrate a lot of the different stuff that’s on the recordings. It was challenging, but I think it works really well to make the songs sound full but still living and unpredictable. I recommend that everyone reading this come to a show. As for covers, there will probably be a couple. I think covers are fun. I’ve been playing a couple of Neutral Milk Hotel tunes at shows for awhile, and that’s always satisfying, but we’ve got some new tricks up our sleeve as well.


TR: I’m sure my listeners would be very interested in catching your show…. what’s the schedule looking like?

SG: We’re still finalizing some of it, but at the moment we’ve scheduled:

7/3/07: New York City, NY – Upstairs at the Pussycat Lounge
6/30/07: Manchester, CT – Grady Tavern
6/29/07: Trenton, NJ – Mill Hill Saloon
6/28/07: Williamsport, PA – Kimball’s
6/27/07: Scranton, PA – Test Pattern
6/26/07: Pittsburgh, PA – Kiva Han
6/25/07: Charleston, WV – The Empty Glass
6/24/07: Leonardtown, MD – Room with a Brew
6/23/07: Fredericksburg, VA – KC’s Music Alley
6/22/07: Huntington, WV – Marley’s Dog House
6/21/07: Raleigh, NC – Sadlack’s
6/20/07: Charlottesville, VA – Starr Hill
6/19/07: Fredericksburg, VA – Fife Restaurant and Lounge
6/16/07: Lynchburg, VA – The Drowsy Poet

Several more dates TBA. All shows are with ciao roma, and the up to date tour schedule along with a tour diary and photos can be found at stevegoldbergmusic.com.

TR: Thank you so much Steve for indulging me, bearing with my inexperience with interviews…

SG: No problem! Thanks again. Also, check out my site, we just updated it with some cool stuff. Take care…

===TSURURADIO===

Alright, that’s it… Send me some feedback, was it too long (I didn’t really edit anything out, I figured I put it all out there for you, cuz dats how I rollz)?? Would you have rather I talked about his turn-ons and turn-offs? Whatever you think, send it here.

But most importantly, go show Steve some love, grab the songs, enjoy them (hell, you can stream the whole album here, buy the album, and go see this act before it cost $100/ticket at Ticketmaster for fuck’s sake!